Analysis of the Influence Mechanism of AIGC on the Evolution of Film Production Aesthetics and Visual Style

Authors

  • Siqi Yang The Hong Kong Academy for Performing Arts, Hong Kong, China Author

DOI:

https://doi.org/10.71222/j2feqy03

Keywords:

artificial intelligence, film production, aesthetics, visual style, human-machine collaboration, digital media

Abstract

As artificial intelligence technology becomes deeply integrated into film and television creation, artificial intelligence-generated content (AIGC) is reshaping the production paradigm of the film industry through algorithms such as deep learning and neural networks. This paper focuses on the profound impact of AIGC technology on film production aesthetics and visual style. First, it reviews the historical evolution of film production aesthetics and visual styles, outlining key stages in the transition from traditional photochemical workflows to digital and algorithmic image-making. Second, it analyzes the technical principles of AIGC and its main application scenarios in pre-production, production, and post-production, including script assistance, visual concept generation, virtual cinematography, and automated compositing. On this basis, the paper explores the mechanisms and methods by which AIGC influences film aesthetics, demonstrating how it promotes new forms of human–machine collaboration, reshapes the audience’s aesthetic experience, expands the expressive potential of visual elements, and deepens the integration of narrative and visual design. Furthermore, it discusses the challenges that film production faces in the AIGC era, including technological reliability, ethical responsibility, authorship and copyright, and the restructuring of professional roles and skills. By synthesizing these dimensions, the study provides a theoretical basis for understanding technology-driven transformations in film art and offers a reference for the film industry as it adapts to rapid advances in intelligent content generation.

References

1. S. Atkinson, "From film practice to data process: Production aesthetics and representational practices of a film industry in transition," Edinburgh University Press, 2017.

2. W. Faulstich, "Film aesthetics and new methods of film analysis," Empirical Studies of the Arts, vol. 7, no. 2, pp. 175-190, 1989.

3. G. P. CORRÊA, "Gothic Theory and Aesthetics: Transdisciplinary Landscapes in Film," 2021.

4. V. Tsiavos and F. Kitsios, "The digital transformation of the film industry: How Artificial Intelligence is changing the seventh art," Telecommunications Policy, vol. 103021, 2025.

5. N. Anantrasirichai and D. Bull, "Artificial intelligence in the creative industries: a review," Artificial Intelligence Review, vol. 55, no. 1, pp. 589-656, 2022.

6. J. Han and L. Shao, "Study film and television postproduction and innovation strategy based on an artificial intelligence algorithm," Mobile Information Systems, vol. 2022, no. 1, p. 3084493, 2022.

7. Y. Li, "Film and TV animation production based on artificial intelligence AlphaGd," Mobile Information Systems, vol. 2021, no. 1, p. 1104248, 2021.

8. H. Singh, K. Kaur, and P. P. Singh, "Artificial intelligence as a facilitator for film production process," in *2023 International Conference on Artificial Intelligence and Smart Communication (AISC)*, pp. 969-972, Jan. 2023.

9. L. Kavitha, "Copyright challenges in the artificial intelligence revolution: Transforming the film industry from script to screen," Trinity Law Review, vol. 4, no. 1, pp. 1-8, 2023.

10. Y. Li, "Research on the application of artificial intelligence in the film industry," in SHS Web of Conferences, vol. 144, p. 03002, EDP Sciences, 2022.

11. H. Singh, A. Rastogi, and K. Kaur, "Artificial intelligence as a tool in the visual effects and film industry," in Recent Advances in Computing Sciences, pp. 312-316, CRC Press, 2023.

12. P. Sun, "A study of artificial intelligence in the production of film," in SHS Web of Conferences, vol. 183, p. 03004, EDP Sciences, 2024.

13. J. Wang, X. Huang, Z. Yang, and W. Zhao, "Construction of artificial intelligence generated content in digital film production," in *2023 IEEE 22nd International Conference on Trust, Security and Privacy in Computing and Communications (TrustCom)*, pp. 2621-2628, Nov. 2023.

14. A. K. Naji, "Employing artificial intelligence techniques to make films," Al-Academy, pp. 171-180, 2024.

15. X. Zhao and X. Zhao, "Application of generative artificial intelligence in film image production," Computer-Aided Design & Applications, vol. 21, no. S27, pp. 15-28, 2024.

16. A. Dwivedi, "Artificial intelligence in the film industry," Indian JL & Legal Rsch., vol. 4, no. 3, p. 1, 2022.

17. T. K. Yoo, "Film Production Using Artificial Intelligence with a Focus on Visual Effects," Journal of Korea Entertainment Industry Association, vol. 15, no. 1, pp. 53-62, 2021.

Downloads

Published

11 April 2026

How to Cite

Yang, S. (2026). Analysis of the Influence Mechanism of AIGC on the Evolution of Film Production Aesthetics and Visual Style. Pinnacle Academic Press Proceedings Series, 10, 86-93. https://doi.org/10.71222/j2feqy03